Tuesday, May 16, 2006
Monday, May 15, 2006
Curious, considering that I haven't heard that track in decades. But I guess somethings linger on.
You know the part I love in Strange Relationship, is when he goes "Well, maybe if that's a fact, may I suggest, a brand new plan of attack". I thought the word meter and the rhythmicity (Webster's prolly going 'WTF mate?') of those lyrics are sheer brilliance.
A line from Notting Hill in reference to Julia Roberts who plays the movie star, Anna Scott. Rather touching. Although I do feel that the movie should've ended when Hugh Grant overhears her telling her co-star that he was, in fact, just a minor aspect of her past.
But the "Ain't No Sunshine" sequence-montage that goes across various seasons was the moment that made the movie for me.
In other news, I love the way the British use adjectives. Its simply marvelous.
Made me think a lot of the complexities in the intricate chord structures of jazz, and whether there is a bridge where Indian elements can fit in. I'm not talking about Shakti and Louis Banks, where they have two disparate elements coming together in the oft-cliched "Fusion" style of music. I'm talking about delicate flurries which give the song an Indian feel.
Well, I know its difficult to visualize what I'm talking about, so I developed an instrumental slow jazz piece with a keyboard-saxophone lead to give you an idea. You'll catch the delicate Indian flavor in the lower registers of the song, but thematically, the overall feel is smooth jazz. What began with a little bit of research into jazz chords, has turned into a fairly decent instrumental theme. So for all you cool cats, here's Bittersweet Bliss (BEST Experienced on Koss, or any other headphones) and you'll see the bittersweetness in the snappy alterations from major to minor throughout the song. Very curious chord structure, which was challenging to develop, but fun nevertheless, and don't miss the minor chord at the end which completely diverts the listener's attention. It was an essential (and impromptu) last minute decision, because I didn't want a honeysweet ending to this track. and hence the title.
Sunday, May 14, 2006
On that sombre note, here's Kaise Kaise. Its less of a song, and more of a thought process. So, I thought I'd share. Its one of the many tracks that I keep private and locked up in a folder somewhere. This one reminds you of how often, and how definitively, things change.
Just tripping to No More Drama, which I think is a really succinct track.
Saturday, May 13, 2006

Ok ... serious question. PFlirt and I were hanging around Oak Tree Road, Edison, people-watching, one day, when we spotted this ad for Hakoba Sarees, which I think in itself, is a devastatingly attractive name. I mean, just by hearing the word HAKOBA (sizzle!), it makes you want to go out and get bedecked in a couple of yards.
Now, that brings me to the question. Isn't the model a guy? I mean ... YES! ... its a GUY in a pink saree! WHAT?
How scary is that? Why would you use a guy to promote a saree shop?
Talking of gay guys in sarees, Paresh - your commenting on every blog entry of mine makes it seem like you're the only one who reads my blog. As undeniably fascinating as that is, a little discretion on infallibly resorting to topics of a gay nature everytime. I know you're proud of your basic orientation, but ....
Friday, May 12, 2006
Thursday, May 11, 2006
Phenomenal reviews, and a very, very curious previewline. And to add to that, accolades at Sundance for a first-time director. Shyte.
A must-check-out!
Wednesday, May 10, 2006
...between Indian youngsters here and those in India... something I discovered recently, in more clarity.
In India, you see a disparate and startling difference between attitudes when dealing with their friends, and when dealing with their elders. They are absolute goofballs when they're with their friends, but when it comes to somber things like prayers, traditions, respect to elders - they are totally different people. Take the scene in RDB when Aamir's grandad walks in, and Aamir looks at Siddharth and goes, "Karan. Bujhale" (asks Karan to extinguish his cigarette). Its a minor gesture, but it shows where these kids come from.
That's missing here. Although I find it cool that kids here take their parents and elders to be equals, and treat them on par with their friends, I only see a handful - a miniscule pinch, really - of them actually displaying a degree of due respect. Maybe its because the generations here have a more lackadaisical approach when bringing up their kids, and are so wrapped up with sorting their own lives, their status, their taxes and their paychecks, that they don't get around to (don't have the time to) substantially convey those meaningful values from the des, on to their kids. In the bargain, these kids are brought up more dominantly by others (daycare/school), and that results in their complete Americanization. The balance is lost, and when they hit their teens, they earn the much-hated sobriquet-acronym title of an 'ABCD'. And then you have the parents, who somewhere between filing their tax extension and switching insurance companies, stare at their heavily-pierced, spiky-highlight-haired, cuss-mouthed disrespectful offspring and think, "where did we go wrong?".
The year is 2006. Do you know who your kids are?
Sunday, May 07, 2006
#1049 - Film Seminar on Iranian TV: Tom and Jerry - A Jewish Conspiracy to Improve the Image of Mice, because Jews Were Termed "Dirty Mice" in Europe
Un-freaking-believable.
What's next? Elmer Fudd is a skinhead closet Neo-Nazi? Bugs Bunny is a advocate for oppressed and disciminated homosexuals? Are those really carrots?
Thanks for the link, Xinu.
Saturday, May 06, 2006
Thursday, May 04, 2006
Its more than a gay movie. Its a muffled diatribe on how depressing life can be, how unfair things can get. But for me, after much thought and comprehension, I reckon that the signature of Ang Lee on this film, is the fact that there is no clear 'resolution'. I love that. I love the fact that he leaves things bittersweet, unexplained and mysteriously disdainful, even down to the fact that Jake is shown to have been contemplating 'cheating' (?) on Heath, prior to his death (murder).
Its unanswered whether Jake's dad has anything to do with his death - being a hardcore homophobic redneck (also Heath mentions a similar feeling about the incident when he was 9).
But truly, Heath Ledger's character was crafted with the utmost care. During the first sexual encounter, although Heath fights Jake tremendously, he does exhibit some kind of homosexual promiscuity. Basically, he doesn't seem like a novice. An incessant rebel without a cause, Heath seems to be 'angry' with the fact that he is attracted to Jake, and feels this love for him. That's a very curious emotion to portray effectively on screen, and Heath scores (yeah he does).
But more than a gay cowboy movie, BM explores the sinusoidal vagaries of human destiny. It asks some deep moral questions. Sometimes the things that bring you the most happiness, may not be the ones that may be right for you. Does that mean you don't pursue them? Just because the world around you has set these precedents because of prevailing and over-powering stigma, does it mean that you forgo your right to be happy? The best part is, BM doesn't preach gay pride, nor empower gay emotions. Its just a sad on-screen depiction of an unfortunate and bittersweet story, with an ending that, quite like real life, doesn't 'come out of the closet' to explain itself.
In other news, Bush is a jerk.
I'm all about the interludes today. Some instrumental solos from tracks that stand out and exclaim their presence and definition. Here are my top picks:
(1) Slash's Guitar Soliloquy (much more than a solo), in GNR's November Rain
(2) The Flute Solo in Tanhai (OST - Dil Chahta Hai, Music - Amar/Akbar/Anthony)
(3) The Weeping Violin Solo in Karunesh's Punjab
Also, did you notice the delicate rhythm and piano-based mood change in Khuda-Haafiz (OST-Yuva, Music: ARR). Verse 3 goes completely into jazzy Swing with touching piano flurries, and then blend back flawlessly, when Lucky Ali goes "Anjaana".
Ah, its official. Sun lo. Music is my raison d'etre.
And yes, big up to mah homegirl, Dubai's very own Mistress of Spices, for a fun long convo, ranging from (yes, i'll say it) gay sex to GlaxoSmith. Piece!
This is just plain WILD. I'm gonna go check this out tomorrow, will come back with pictures! :-)
Wednesday, May 03, 2006
Its difficult to administer a pre-judgement of James Blunt's vocal range and comfort level at higher octaves, if you listen to "You're Beautiful" for the first time. When he starts with "My life is brilliant", you assume that he's a low-rider, but then he launches into the main (keyword:non-falsetto) chorus, without any kind of warning, even though the quality of voice may seem kind of scratchy and unclean to a first-time listener, but Blunt grows on you with sharp turns and delicate notes. I also love the way he falsettoes "f***in' high" (or for those who heard the radio edit, "flyin' high") even though he doesn't need to.
In the words of our eternal School Supervisor, Mr. K.L.P.D. Joseph, "Awride Chil-wren, com to the yassumblee hole for the brayer".
Wat a dumbass. No, I mean it. Dum-Bass. As in, the fish (No, Curious Mallu Person, not the guitar) Its my word of the day (thanks to my 'acquired taste'). Dum-Bass. Dum-Bass. I have been pissing off people all day with it - fellow employees, subway workers and random Middle Eastern food cart vendors (who are rather pissed off as it is, and threatened to douse me with Hot Soss). Learn it Children. Dum-Bass. emphasis on the B. Dumb-Bass. As Joseph would spell it . "Dee, You, Yem, Bee, Yay, Yes, and yet another Yes".
And for those who are more of the visual kind, here's an example of an under-rated dum-bass.
Tuesday, May 02, 2006
Opus Dei's response to the Da Vinci code is quite intriguing. Hard to tell if they're being defensive, or just plain honest. Ah, don't we all love conspiracy theories?
Does anyone know where I can get my hands on a Single CD (Import will do) of Jon Sa Trincha's self-titled track? Its an amazing Ibiza-trance track, one of those melodious-ambient-psychadelics - (goes well with chronic).
Meanwhile .. sample Churate.
Sunday, April 30, 2006
I'm too busy trying to figure out if Manhattan will be achievable on Monday morning, with all the burritos and muchachos on strike. Damn - guess this means no delivery boys. Gotta step OUT for lunch. Life sucks.
Saturday, April 29, 2006
Thursday, April 27, 2006
Funny enough was my colleague, Debashish, from India, who made the glorified mistake of asking a "person of African descent" for directions in SoHo. So, while Denzel keeps ending every statement with "knowhatimsayin", young Debashish keeps clarifying "yes, I do know what you are saying, sir" - to the extent that Jamal goes "You making funna me, n****?".
Bengal's son Debashish is a little too dark for you to notice his black eye.
Wednesday, April 26, 2006
Yes, I know. I've been out of circuit, out of commission - whatchamaycallit. But in the words of an inane governor, I'll be Bach!
Monday, April 24, 2006
You know the drill - rough track, 4 AM recording. But 'catchy tune' is something i'm getting ever so often, so do check it out.
Sunday, April 23, 2006
You can literally see the influences on Pritam's music staring out at you...
The line "Ek Pal Ke Liye" ... the verse of O Haseena Zulfon Waali ("Garm hain, shaukh hain, yeh nigaahein meri")
The line "Phir kya ho kya khabar" all the way till "Phir ho na jaaye seher" .... "Lafzon mein keh na sakun" by Abhijeet Sawant
Pritam, aan milo?
Friday, April 21, 2006
Thursday, April 20, 2006
PFlirt: i have detected
PFlirt: there is the Working Vish
PFlirt: the 9-5er, he wishes, who is like a regular working future ceo, killing himself and slaving and giving a f***
PFlirt: then there is the Weekend Vish
PFlirt: who is the opposite of Working Vish
PFlirt: see above line and put not behind all the words
PFlirt: then there is the what should I call him Vish
PFlirt: the Chilled Vish
PFlirt: the guy that is all knowing, the guy that is able to take you anywhere in NJ or NYC and even to places that don't exist and the guy that can write a song based on a sentence, the guy that can make you laugh and the guy that is basically the S***
PFlirt: so what's the difference between weekend vish and chilled vish you ask
PFlirt: about 8 drinks
PFlirt: basically, weekend vish was chilled vish until he takes the bus into NYC
wow ....... what more can I say ..... we are in the company of genius, people .....
Tuesday, April 18, 2006
Monday, April 17, 2006
Sunday, April 16, 2006
"Is true love a trip to Chinatown
Or being held in one's opium gaze
Under the peach trees
There I'll sit and wait
Is true love a long walk through Bryant park
Or being held in the month of May
under the peach trees
There I will be, will be until you come and get me
Cause I'm so tired of waiting in restaurants
reading the critics and comics alone
With a waiter with a face made for currency
Like a coin in ancient Rome"
- Peach Trees, Rufus Wainright
Rufus seriously had a love affair with the city of New York. However, the "waiter with a face made for currency" line still rings in my ears - key descriptive ability. Kinda takes the foci away from the central element, but then Peach Trees was always a mysterious track. A song from the soundtrack of the movie, Prime - which has a really really awesome make-out scene between Uma Thurman and Bryan Greenberg. Very heartfelt.
And of course, the line of the weekend - Nicole recounted the oft-remembered, oft-forgotten line from The Bachelor, "Its amazing to be with someone who looks at you when you're old, and sees what you think you look like". Ah, so well put. I'll have what that writer was drinking when he wrote that.
Peace.
Saturday, April 15, 2006
if you didn't understand any of this, join the Society to Ban Delirious Blogging Between the Hours of 5 and 6 AM (I would abbreviate that, but I'm not THAT retarded - emphasis on THAT).
Props to M for some wicked guitarwork. You rule!
Friday, April 14, 2006
Today was officially the first beautiful day of Spring for me. Just a gentle breeze, perfect weather. Lou's Cafe on 5th Ave. opened up its outdoor patio. Had a comfortable sit-down date with False Impression, biting on a Caesar Salad and sipping on my Pinot Noir, after work. No, I don't pretend to like Pinot just because of Sideways, I really have respect for that grape.
In other news, FOBs are getting beaten badly by the new immigration laws. Makes me think that FOB should now stand for "F***ed Over by Bush". Peace, people. Have a Good Friday, and a F'Easter.
Thursday, April 13, 2006
http://www1.yashrajfilms.com/fanaa/fanaa_teaser.htm
Fanaa ... Aamir .... Kajol ....
In order to describe Kajol in her comeback vehicle, I'd like to do a Janice .... ahem ... OH ... MY ... GOD!
work is significantly hazardous to my (non)sense of humor.
new discovery.
Book of the Year: The much-awaited False Impressions by Jeffrey Archer - out now in hardcover for $27.15. Finally! This book has been out in India and Europe for over half a year now, and I find it quite annoying that my friends and family have access to an Archer before me. But as for the book, its written in true Archeristic twist-in-the-tale style, FI is quite a whirlwind, and keeps me totally occupied on the Manhattan bus commute. Oops, correction, its Lord Jeffrey Archer who (according to the book's jacket) spent six years serving in the House of Lords and two serving in Her Majesty's prisons. You've been Served, Archie ;-)
Wednesday, April 12, 2006
Truth is, that he did borrow his pseudonym from the name of the cup-bearer in the Rubaiyyat of Omar Khayyam, "Saki". :-)
Although there is no relation between Saki and the word, sarcasm - most of his writing is highly sarcastic (albeit, hilariously well-worded). Wonder why? I learnt that Munro's mom was reportedly killed by a runaway cow in England. Now, wouldn't that be enough of an experience for one to view the world through crap-colored lenses? Runaway COW, people! jeez!
Sunday, April 09, 2006
The alternative artistry that makes New York so authentically New York! When people pack into Loews to watch 30 minute - 125 minute movies that didn't make it mainstream because people didn't have the time to evaluate or value these unsung artisans. Its good to take a break from our laugh-a-riot or space-voyaging or pre-pubescent's-riding-broomsticks-while-people-who-need-a-haircut-watch-on adventures - to appreciate something that got lost in the crowd of mad box-office dollar-hunters - meaningful, quality cinema.
Tickets go on sale today, and I'm already picking out my choices to check out! There's also an Indo-inspired flick called "Return to Rajapur" in there somewhere. So many choices, so little time.
Friday, April 07, 2006
This one's still got a few rhythmic issues - mainly cuz no one's willing to sponsor me some real DJ mix software. But I think its a cool concept.
Check it out here. I call it "Rising Temperature".
http://news.yahoo.com/s/ap/20060407/ap_on_go_co/mckinney_scuffle
holla back, n****?
Better ‘Saif’ Than Sorry
An informal chit-chat with Saif Ali Khan
With regards the upcoming Kerry-Bush Debate, whom do you support?
Are you kidding me?
Which is your favorite shopping area in
Without doubt, the Village.
What are your favorite designers?
I adore Ralph Lauren’s Polo and DKNY. I really like the Diesel collection as well, as the clothes are the most comfortable. I love to wear them.
With your dad being an exceptional cricketing icon, did you ever think of taking up cricket as a career?
I can't play cricket. Well, not as well as Ajay Jadeja at least. I played a lot of cricket in school. I enjoy the game and of course, its in my blood. I am greatly inspired by my dad. But I didn't want to play club cricket. I wanted to do something where I am among the best in that profession. Today, I feel I have achieved that.
Would you like to share your wildest college experience?
(smiles) Well, my college life was very wild indeed. But being wild in the '80s was not the same as being wild in the '90s. Back in the day, having a couple of cans of beer was wild. Today, its commonplace. We used to party all night and things like that. College was great fun. There was so much independence and ‘masti’ in the air.
I was in boarding school in
The past few months, there have been many rumors about your personal life….
A few weeks back there was this news that you no longer want to be part of multi-starrers or even two-hero projects. Is that true?
That's all rubbish. I know I don't sell solo, so why would I be averse to acting in multi-starcast films? I am perfectly alright with it. No doubt, you sometimes feel insecure in a two-hero film when the other hero has better lines than you, but then you can't help that.
And on that note, I bid Saif goodbye as he went on to catch some sleep at his hotel and geared up for a thunderous performance at the Nassau Colisseum that night. But, I have to admit, that if you’re ever stuck in
Wednesday, April 05, 2006
Interesting, na? Something that came up in a conversation between me and my "acquired taste". The higher end objective of any relationship. When you don't feel obligated to make small talk all the time. Comfortable Silence is essential - not only is it a turning point, but its a rare stage that very few couples achieve. Not to be confused with Awkward Silence or "I-Couldn't-Give-A-F***" Silence, CS is an absolution that many will disregard as commonplace - but little do they know, that its another fascinating other-worldly-experience altogether.
In other news, Dubya is retarded.
The chances of a woman picking up "someone" who may not really look like a "greek god" are much brighter at a supermarket.
Shop-Rite anyone?
Tuesday, April 04, 2006
Check it out - Lucky Man (The Verve) from the OST of The Girl Next Door.
Saturday, April 01, 2006
taak mein baitha udhar
aur hum taiyaar hai
seena liye apna idhar
khoon se khelenge holi
gar watan mushkil mein hai
sarfaroshi ki tamanna
ab hamare dil mein hai
haath jinme mein ho junoon
katt te nahi talwaar se
sar jo uth jaate hai woh
jhukte nahi lalkaar se
haath jinme mein ho junoon
kat te nahi talwaar se
Aur bhadke ga
jo shola-sa hamare dil mein hai
sarfaroshi ki tamanna
ab hamare dil mein hai
hum to ghar se nikale hi the
baandh kar sar pe kafan
Jaan hatheli pe liye
lo bad chale hai yeh kadam
Jindagi to apni mehmaan
maut ki mehfil mein hai
sarfaroshi ki tamanna
ab hamare dil mein hai
Dil mein toofanon ki doli
aur nason mein inquilab
hosh dushman ke udadenge
hamein roko na aaj
dur rehpaaye jo humse
dum kahan manzil mein hai
sarfaroshi ki tamanna
ab hamare dil mein hai
sarfaroshi ki tamanna
ab hamare dil mein hai
Thursday, March 30, 2006
And guess what else? If you watch the latest Owen-Foster-Washington thriller, Inside Man, directed by Spike Lee, the opening credits featuring a montage of New York City, feature the track "Chaiyya Chaiyya" from Dil Se. No, not as way-back-in-the-background music as some tape playing in a taxicab - its in the SCORE. And the Punjabi MC remixed version plays with the ending credits. Isn't that cool? I mean, this is way past "Hindi Sad Diamonds" in Moulin Rouge - this is the entire track. And in true Hollywood style, the song is incorporated in the background score CD.
And with every movie featuring a South Asian actor or character, and now, music, is it long before Indians break into the mainstream?
Tuesday, March 28, 2006
When I first heard of this flick, I really assumed it was a Being John Malkovich-type flick. Well, I was wrong about the premise, but Cyrus does adopt a lot of the darkness and surrealistic approach from Malkovich.
The movie falters towards its close, after building a severe amount of mystic hype - and a certain degree of skepticism as to whether the end will justify the means. Saif Ali Khan does a stellar job as the enigmatic Cyrus Mistry.
The movie highlights the characteristic strangeness of the inter-breeding Parsi community, and the director accurately captures almost all of their idiosyncracies. But, when it comes to the crux of resolution towards the end, this dikra has a significant downfall.
Another hour-and-a-half songless flick that captures your attention and makes you want to turn to Bollywood and go "more like this, please". What pleases me about movies like Cyrus is how far they deviate from the stereotype. This is definitely a hallmark of the new breed of Indian Cinema, which will define the next 100 years. A few slaps on the side in the story and screenplay department, and this train will be chugging back on track.
Monday, March 27, 2006
"You try not to (think of the negatives). I think that's what all golfers do, we rationalise everything. You hit a bad shot, it's not that bad. You should always try and look at the glass as half full. There's always a bright side to everything, you've just got to find it sometimes." - Tiger Woods after dismal putting at the Players, yesterday.
And therein lies the issue. Finding it. Identifying it. And most importantly, it being enough. It never usually is. And this is not just pessimism. Its pretty realistic.
I would write more. But I'm still recovering.
Sunday, March 26, 2006
A thousand apologies to everyone who reads my blog (yes, all two of them) for not having posted in a while - as I am engaged in a reminiscent and hedonistic jounrey (note: alcohol causes typos, because it contains the homoprotein, typose. it also kills my non-existant humor cells) as part of the 10th Anniversary of PM weekend. I would love to give you more details on our escapades, but I'm sworn to cult secrecy on this.
But its great to be back on campus, and catch up with old friends! Bringing back killer memories of Philadelphia. Breakfast at the Food Trucks, before rushing to the classes I actually attended (yes, all two of them). Steiny-D. Pottruck. The Quad. Locust Walk .. and of course, the mecca of musical stages - Irvine Auditorium. Will post pictures soon (the censored ones, that is). Until then.... adios ... and a dum-ba-dum-ba-dum to you too ;-)
Thursday, March 23, 2006
What would you say about a movie that was made on a production budget of $25,000, and ended up grossing over $600 million? You'd say its pretty darn suckcessful, innit?
Well, that typo was intentional. The movie I'm talking about is Deep Throat, Gerald Damiano's directorial sleazefest that ushered in the sexual awakening of the 70s, and brought Linda Lovelace into instant stardom. Although the movie has the strangest premise, faced miserable controversy, skyrocketed a country-wide furor over Obscenity laws, was funded largely by the mob - but developed the grounding for what forms one of the most successful LIMO businesses (a management term for Less-In-More-Out) in the world - grossing over $57 billion worldwide - for what is essentially an underpaid, low production cost, initial investment - gold mine or not?
These thoughts are courtesy of the new exposive documentary, Inside Deep Throat, outlining the sexual revolution of the 70s leading into the volcanic burgeoning of the adult industry - all owed to this one movie that broke the ice, but with catastrophic results for its cast and crew - especially Linda "Lovelace", who met a tragic end in 2002 - while the San Fernando Valley Lords continue to thrive as the Sultans of Smut.
Thought-provoking, no?
A man who could come up with a screenplay like Memento deserves god-like status. What genius!
I have also concluded as of yesterday that we are a disposable generation. The few of us who have no qualms, no scruples, no hyper-emotionalism and no preset commitments to our master plan on life - are the ones who don't end up curled up in depression. The ones that do, are terminally ill. Not just because they are hanging onto the value system of the generation prior to ours, by the thin, splitting thread of belief, but because when reality saddles up, gallops at them and bites them in the ascot, it will be too late for them to change who they are.
After that seemingly pointless diatribe - just 'cuz your life has no imperfections in it, doesn't make it perfect. just cuz your life has no perfection in it, doesn't make it imperfect. Its unnecessary for there to be drama in your life, because when there isn't it feels like its in abeyance of some kind, and once injected, drama stays in your lifestream for a significant span of time before wearing off.
Everything is temporary. Everything is disposable. When life itself is so unpredictable, why do we bother so much with a an un-quantifiable entity like commitment?
As I feel I said is most succinctly in "Khayaal?",
Zindagi bhar woh saath nibhaane ke khwaab kyun dekhte hain ?
Jab yeh zindagi humaari, khud, hamaara saath nibhaa nahin sakti ...
Wednesday, March 22, 2006
Processing takes your time ....
Your boss takes your enthusiasm ....
Citizen White Boys take your fiancee ....
Green Card takes your hopes...
Wait times take your patience....
Marlboro Man takes your lungs....
Life...
Life takes Visa ... the H1 visa ...
(brought to you in part by the Immigration and Naturalization Services, a.k.a. Satan's Mischievous , Red-Sword-Yielding Dwarfs)
(Major Creative Input: Zeenat Rasheed)
Sunday, March 19, 2006
Saturday, March 18, 2006
Allow me to soberize
Before I forget, comments of the night:
Nick: "With boxers, I'm just flipping and flopping, my boys need a home!"
Nita: Doesn't the Empire State Building seem kinda phallic, this time of the night?
Nick (again - on a f***ing roll): Lady Liberty looks like she could give some phenomenal head (yes, the HQ of the group at this point is pretty high - horniness quotient).
Vish: What time's the 5-o-clock bus leave?
Becky: Lets not start sucking each other's d***s, just yet (no, she's not like that. just quoting the Wolf from Pulp Fiction - or so the official story goes).
Becky: If I do throw up on you tonight, just know that I still love you, ok?
Good times, people, good times.
Friday, March 17, 2006
It took me a while to figure out what a fagbag was, until I realized that she was talking about a 'fanny pack' (which sounds so much better, doesn't it? so much more masculine).
Ah, Erika. Tu es tres hilarious!
Thursday, March 16, 2006
(Spoken through the voice of a helpless old man, at the hands of sword-wielding religious terrorists, who question his 'mazhab')
Agar hindu ho tum, to musalmaan samajh kar, maar daalo mujhe
Agar muslim ho tum, to hindu samajh kar, maar daalo mujhe,
Agar khoon karne se tumhaari pyaas mit ti hai, to maar daalo mujhe,
Agar tumhaara imaan ise insaaf kehlaata hai, to maar daalo mujhe,
Kabhi, apne wajood par ghuroor tha mujhe,
Kabhi, is insaaniyaat ka karta tha mein sammaan,
Abhi, ek tarah se dekho to mit chuka hoon main,
Ab insaaniyat hi nahin rahi, le lo tum meri jaan,
Kyun khade ho tum aise, uththaao apni talwaar,
Is andhe qaatil ko kardo, mere seene ke paar,
Banaado mujhe is jung-e-mazhab ka shikaar,
Isme tumhaari hi jeet hai, aur isme tumhaari hai haar.
Meri duniya ab tumhaari hui,
Mere anth se gale milaa rahe ho mujhe,
Mera mazhab hi mera gunaah ban gayi hai,
Aur maut hi bacha sakti hai mujhe
Yeh masoom bachchon ki cheekhein, nahin sun sakte hai yeh boodhe kaan,
Yeh vehshat nahin bardaash hoti, le lo tum meri jaan,
Mere dost, is gunehgaar par kar do yeh ehsaan,
Is zindagi ki qaid se azaad karo, le lo tum meri jaan,
Par khuda ke liye, ya bhagwaan ke liye,
yeh baat kabhi na bhoolna tum,
Aaj ke din, tumne jiski li hai jaan,
Woh na Gita padta tha, na padta tha Quraan,
Woh na hindu tha, na tha woh musalmaan,
Woh bilqul tumhaari tarah, tha …. ek insaan
- Vishal
And this is
Wednesday, March 15, 2006
Tuesday, March 14, 2006
Kya hota hai pyaar aakhir ?
Ya chaahat ? Ya dillagi ?
Ek paththar bhare raste ke mod hai ye,
Jise kehte hain zindagi - Vishal
No, not comparing myself to the genius of Jalal-uddin Rumi. Just trying to outline by contrast, a distinct non-positive current in my writing. I say non-positive, because its not exactly pure negative. Its around the same precinct, but a few blocks away. On the slightly sunnier side of town, but with clouds looming over, threatening to rain.
I guess that's just how life is, innit?
Sunday, March 12, 2006
Friday, March 10, 2006
So I turned DJ today and was messing with two tracks. "Tore Bina Mohe Chain" from the Background Score of Kisna - which is basically a classical rendition by Ismail Darbar, and "Right Here Right Now" from the OST of Bluffmaster.
What resulted ... of course, in extreme ghettoness of a per-minute crashing and trial version of Audacity .. was rather interesting.
Check it out here
And btw ... now I officially go by .. DJ Vishal.
Thursday, March 09, 2006
Wednesday, March 08, 2006

Dogs? That's mean. Meridien Management, please don't talk about the President's chief advisors in that tone! He prefers that you refer to them as his "four-legged canine confidantes", with whom he shares his most personal thoughts, and whose opinion he considers equal to his own. Based on their woofs and fancies, Dubya has made some of the most key political decisions that have shaped his policy - the war, tax hikes, pooper-scooping Katrina, Social Security - which have made him the wonderfully loved, approval-laden President that he is today. In fact, you remember that scene in Fahrenheit, where Bush is informed about 9/11, and he sits quiet for nearly 15 minutes before leaving for D.C. - its only obvious what was going through his head. "Gosh, what would Rufus do?".
In other news, thanks for sharing your opinions on pro-choice and abortions, Dr. Parita Sahani ;-) Very profound info from a very insightful person :-)
Tuesday, March 07, 2006
For Terence Howard. From the Memphis accent, to his portrayal of a broke pimp trying to make it big in hip/hop - his performance in Hustle & Flow is off the hook! Highly highly recommended movie! I love the way the songs build up - esp. Hard out here and Whoop that Trick. Caught this flick again on Demand yesterday, just for that trademark elevation. But its not the kind that 8-mile gives you. H'n'F is a little bittersweet. So many variables.
All in all - recommended viewing. Makes you really think about whether you're wasting your life doing something that you think you should be doing - or whether you're in it for the ride?
As Notorious B.I.G. put it - "Either you're slinging crack rock, or you've got a wicked jump shot!". However you do it, you gotta make it up to the top, right nigga (oops! don't shoot!)
Peace out, world!
"In the history of the world, the true test of a civilization is how well people treat the most vulnerable and most helpless in their society," said a statement.
I just don't get society. Really. The flip-flop nature of our judgements and the necessity for approval lead us to do some strange things. On one hand, you have people still trying to figure out whether fetuses are capable of classification as members of society - because one interpretation of the Bible defines social existence from the point of birth, and not conception. If not, then abortion would be as bad as tossing out a bad egg. As the superior race, we have no issues questioning the fact that live, grown animals are still being hunted for game, but make it a big deal discussing the doing-away-with of unborn human fetuses. Terrorism and related devastation leads you to believe that all that remains at the end - is faded memories. There is no concept of retributive justice. Waging a war on a nation does not avenge a massacre of innocents. And while society is all wrapped up in dealing with issues that puppetmasters cast before them like biased dice, the supremos themselves are busy in modifying the destiny of the world to their political convenience. What fate hath wrought?
We reside in an era where religion is masked as a motivation behind heinous acts of mass destruction, it becomes essential for us to redefine the word itself. Religion - Untitled in its purest form. By giving it a name, you are not enhancing it, or personifying it. You are only insulting its characteristic chastity. Demoralizing its identity. I call it 'a nameless tribute to our source of existence'. Because in its anonymity, lies its essence. If we are destined to learn of it in entirety, someday, we will....... Let fate be the page turner for the book of circumstance. She does it best. How do I know that fate is feminine, you ask? Because she takes hours (ages) to make herself look presentable, but only a second to change her mind (course)".
Peace out, world.
Monday, March 06, 2006
I really need to re-watch Crash now - because I never viewed it from an Oscar perspective. Was it better than Syriana? The films had a lot in common. While Crash reviewed immigrant experiences and their intrinsic discomfitures, Syriana was more petro-political but still had the same Soderbergh-style parallel yet interwoven plotlines, like Crash. But I felt Syriana had more of a pertinent and global message, and much more fiber vis-a-vis Crash - this is purely comparative because both films are phenomenal in their own respect. Syriana was more impactful, while Crash was more introspective.
But heck, to each his own. In between Jon Stewart's hilarious hosting histronics, Ang Lee on stage was saying "I have this to say to my wife..." and Didi completed his statement - "I'm gay, honey". That would make sense, wouldn't it? So if Ang Lee's gay - his wife is going to be quite AkeLee, no?
Peace Out, World!
Something about the NYC subway keeps you awake and seeking. Isn't it just the best? Especially on Saturday nights, you always the 'stink cabin' phenomenon - the inevitable cabin on the 1 or 9 where someone has thrown up because he/she mixed straight JDs with Apple Martinis. The inevitable Jesuit converter, usually Black and well dressed even at 4 AM, reading out passages from the Jehovah's Witness' Guide to Screwing With People's Minds. Notice that its only when you're drunk that you actually end up listening to these guys and saying stuff like "Right on!". Also, there's the inevitable wannabe musician selling CDs, the old-black-man a capella groups (some of whom are really good) and of course, those kids selling M&Ms for their so-called Basketball team, who shadily talk on Razrs and drive Miatas to "work" - woo hoo, talk about charity.
Ah but its New York. The New Yorker has a big red sign now, so you know big and bright where the shittiest rooms in the city are at. Gotta love the city that never sleeps. As Carrie says it best, "Despite the fact that there are over eight million people on the island of Manhattan, there are times you still feel shipwrecked and alone. Times even the most resourceful survivor would feel the need to put a message in a bottle, or on an answering machine".
Saturday, March 04, 2006
we have kids ... we deal with their every concern ... clean their butts ... feed them ... soothe em .... teach em .... then they grow up .... meet friends .... friends are the cause that they are embarassed of us .... they get embarassed of who they are .... divorce their culture .... try to be white ... black ... hispanic. .... grow up confused .... hate us even more for putting them in that situation ... think we smell ... think we talk wierldy ... start cracking fob jokes at us ... and knock us in the Shady Pines Old People's Home one day leaving us thinking ... man, i cleaned his butt to see this day?
(spl. thanks to T for her inspiration)
Friday, March 03, 2006
After the suicide bomb killed a US envoy in Pakistan, Bush, in neighboring India, quickly vowed to stick with his plan to fly to Pakistan's capital, Islamabad, on Friday."Terrorists and killers are not going to prevent me from going to Pakistan," Bush told reporters.
Right on, Dubya - but they sure as hell can prevent you from coming back!
Co-passenger: To aap kaam kahaan karte hain? New York mein?
B'waj: Nahin, Manhattan mein
Co-passenger: Achcha! Mujhe to lagta tha ki aap New York mein kaam karte hain. Aap karte kya hain?
B'waj: Mera murgiyon ka mutual fund hai. Naam suna ho gaa.
Co-passenger: Achcha? humaare ande ka business hai. Eggjackly Brothers. Actually, Henpecked Consulting? Naam kuch familiar sa hai. Pichle saal aapki murgiyon ne thode kam ande diye the ... kuch udhaar baaqi hai lagta hai.
B'waj (upset): Dekhoonga dekhoonga. Farm jaake accounts dekhoonga.
Song in background (SPB trying to sound Northy): "Do andewaale chale zindagi banaane, murgi sambhaalne aur omelet pakaane, OMELEEETTT PAKAANE
This time I've decided to add a smidgen of Gulzar's Angoor as well ... here goes... btw... my friend's name is Bharadwaj!
Start: B'waj's second interview at "Bahadur" Outsourcing (Deven Varma starting his own supari oursourcing firm, against Sanjeev Kumar's constant oppression)
Bahadur: Aao Bharadwaj aao. Bhaang piyoge?
B'waj: Kyun nahin? kyun nahin? ... KYA???
Bahadur: Kuch nahin. Tum IS AADMI ko jaante ho?
B'waj: uiii maaa, yeh to Thaakur hai.
Bahadur: Ramesh Sippy ke liye yeh Thaakur hoga ... lekin mere liye ... yeh mera jaani dushman hai ...
Bahadur: Inki khushi ki khaatir maine kya kya din dekhe. Prema ko Ekta Kapoor ke serials ka chakma deke, Ashok Babu ne use Bombay bhaga diya . Suna hai ke Zee TV ke kuch serials mein YUUN khadi dikhaai deti hai. Aur to aur - mera eklota grey kurta-white pajama ka set chori kar ke gayee. Ashok Babu jab jab khush hue hain ... main barbaad hua hoon ....
(B'waj offers tissue)
Bahadur: Lekin ab bahut ho gaya.
B'waj: par ... par .. par .... main to Investment Banking karna chahta hoon ....
Bahadur: arrey investment banking jaaye bhaad mein. yeh supaari ka dhanda
hai, supaari ka!
B'Waj: Arrey? pehle bhaang. phir supaari? yeh consulting company hai, ke
paan ki dukaan?
Bahadur: KHAMOSH! pehle mere ek gambhir savaal ka javaab do...
B'waj: poochiye?
Bahadur: tumhaare resume par thook kyun hai?
B'waj: Oiii maa. Ek hi copy thi mere paas.
Philip Seymour Hoffman in Capote ... man, after he played the embarassing, forgotten child star who can't get rid of his star complex in Along Came Polly, I thought this guy was the bomb. But in Capote, from the little that I've seen, I really feel he deserves an Oscar.
Reese Witherspoon should pull off Best Actress (and I agree with Ebert that Dame Judi Dench shouldn't pull this one), and I will officially turn gay (finally!) .... if Brokeback wins Best Picture, after all the excessive lobbying, because if it doesn't, someone will be velly ang-lee.
Thursday, March 02, 2006
Humaare khayaalon ke azaad parinde, jo aasmaano mein udte the,
Na jaane kaise, yeh duniya ke pinjron ko bardaash karne lage hain
Manzil ki khoj na karte the hum, bas udne ki thi ummeed,
Na jaane safar mein kab se, manzil ki talaash karne lage hain
Dhoondte the zindagi ki raahon par, pyaar bhare woh pal,
Dhoondte the zindagi ki raahon par, guzre hue woh kal
Us safar ki tanhai mein, ek humsafar ki thi ummeed,
Na jaane kyun, us humsafar ki chaahat mein mitne lage hain
Ubhar aaye mere woh sapne, jo barson se dabaaye hue the,
Na jaane kyun, woh khayaal mere bhi paraaye lagne lage hain
Aur woh harjai, jo beechch raste mein, haath chod gaya tha
Na jaane kyun, hum usi humsafar ka saath chaahte hain
Zindagi bhar woh saath nibhaane ke khwaab kyun dekhte hain ?
Jab yeh zindagi humaari, khud hamaara saath nibhaa nahin sakti ...
aadaab arz hai .......
vishal
Tuesday, February 28, 2006
Yesterday I applied the theory of differential managerial economics to my 8 laundry loads. I am officially disgusted with myself on various levels.
Anywho, here's a rough sample of a basic script I came up with for a friend of mine who plans to work in the absolutely unique, untapped and non-competitive world of hedge fund consulting (please don't let the sarcasm go unnoticed). Credit to monsieur RK Santoshi for most of the original conceptualization.
In the office of WAH! WAH! Consulting
Mehmood-Like Interviewer: Wah! Kya resume hai! Thoo thoo thoo thoo
Friend: Sir, aap mere resume par kyon thook rahe hain!
Mehmood-Like Interviewer: Thook nahin! Nazar utar raha hoon. Taaki kisi aur consulting company ki ispe "nazar" naa lage.
Friend: abhi to main aa gaya hoon .. guru .. kardo na Wah Wah Consulting shuru!
Mehmood-Like Interviewer: Shuru Ho Gayee! Bajaj se baat bhi ho gayee. yeh lo. bajaj aa gaya.
Timepiece Bajaj: Nonsense! Tum log waqt se pehle kaise aa gaye? Har cheez time-to-time honi chahiye. Start.
Friend: Err. I have a lot of experience in ....
Timepiece Bajaj: Stop! Nonsense! Yeh resume par thook kyun hai?
Twin Bajaj Enters: MILGAYA! INVESTOR MILGAYA! Ab hum izzat se yeh consulting
company kholenge... hum log .. ek murgiyon ka mutual fund kholenge ...
Timepiece Bajaj: Nonsense!
Mehmood-like Interviewer: Dekho beta. Inki baaton mein mat aao. Tum ek aur intern ko apne consulting dreams ke jaal mein phasao .. jaise maine tumhe phasaaya hai ... (Friend raises eyebrows) ... banaaya hai ...
(Dream bubble emerges where Friend pictures himself selling the Murgiyon ka Mutual Fund idea to another friend)
Any takers?
Wednesday, February 22, 2006
Something to think about, isn't it? Not just an ominous or profound thought to start me off today, but its true. Civilization may soon become the cause to upgrade us back to the stone age, because one part of me really feels that we are pushing things. Beyond the wondrous good that technology is doing for us, I sometimes feel like equating modern science to that little cartoon experimentalist who keeps mixing chemicals till they blow up in his face to leave a charred, hair-burnt and frazzled person, with a quizzical look in his eyes. Perhaps its because the world's supposedly most modern country has a leader who tells the country what it already knows in the most surprised, kiddish way possible - "Look what i discovered, America! Turns out we're dependent on oil!" - while his replacement filler is out accidentally shooting people.
(sigh) ... when will we ever learn? as Ghalib put it best ... "bazeecha-e-atfal hai duniya mere aage, hota hai shab-o-roz tamasha mere aage" ... i'd try and translate that, but I would never be able to convey it the way MG intended to.
Do check out my attempt at bringing the diverse worlds of dark ambient and Urdu ghazals together here.
Peace out, world.
Thursday, February 16, 2006
Ryot of Color. Not just a play of words, but a resolved identity crisis. That's me. Connected with my roots and my simplistic heritage and identity. Beneath all the makebelieve, all the determination, all the want-to-bes and want-to-haves ... its time to connect with who I really am .... someone with simple needs but complicated derivatives .... with simple satisfactions but complex desires ... with simple passions but multi-dimensional ambitions .... truth is ... im truly a blot on the lifelong questmap ... a pawn in the never-ending, commercial-filled reality show of destiny ... im a ryot .... a ryot of color ....
its really difficult to explain where i'm coming from .... i do find a writer's block in trying to explain this thought .... it may sound like an absinthe-induced haze to most (and perhaps it is ... shhh) ... but its true ... its how i feel ... and i really can't deny it ...
Monday, January 30, 2006
"SMS Generation - chaar line se zyaada koi bhi conversation, lecture lagne lagti hai". One of the many lines from Rang De Basanti which linger on, days after the movie. More than a diatribe on the lackadaisical approach of this very SMS generation, RDB comes across strongly as a piece of meaningful, target-oriented and impactful Hindi cinema. Eye caressing cinematography by Binod Pradhan, in one of his few non-Vidhu Chopra flicks - I particularly liked the bike sequence-lighting techniques and the aerial shots and of course, the sepia tinged flashback sequences.
Ok, coming to the movie - highly awaited Aamir "Pheonix" Khan flick - but that's the difference here. Its not a whole and soul Aamir Khan movie. No doubt, Aamir pulls off another living role, comfortably fitting into the jeans of a Delhi collegekid - the scene where he breaks down, sheer brilliance. When Aamir's on screen, especially in a Hindi movie, it really feels like that one soloist singing his heart out, deeply involved in the music, in a group of cacophonics. RDB's different with several performances coming out gangbusters - Soha Ali Khan, Kunal Kapoor, Atul Kulkarni, Sharman Joshi, Kirron Kher and the new kid, Siddharth.
Brilliant premise. Handling of the switch-element between pre-partition and today - mindblowing. RDB has dozens of USPs. Where does it fall short? Length - second half was unnecessarily stretched. And most importantly - believability. Yes, India is corrupt - but a group of college kids killing the Defence Minister, and then locking themselves up in the AIR building, only to be subsequently shot dead, doesn't seem to be a likely solution, nor a possible occurence. RDB had all the makings of a gripping, soul-touching classic - if only, the "Awakening of a Generation" could have been made a little more believable.
But it was great to see a MEANINGFUL movie. key stress on that word, because of the string of Neels and Nikkis that we have been subjected to, the past few months. Also, the combination of intricate and top notch dialogues, music, cinematography and performances. With a few touch-ups necessary in the screenplay and story department (the same that Rakeysh Mehra's previous movie, Aks needed as well), RDB meets, matches and, in many aspects, supercedes expectations, with a soundtrack and dialogues that remain in your zehen for a while. Sarfaroshi ki tamanna ........!
Monday, January 23, 2006
And if he's still trying to be in the closet about things - he's not really doing it too well, is he? Sad that they silently listen to all that Stardust and Cine Blitz have to say - which is far more direct and controversy-worthy than my mild rants - and then they choose to pick on things like this to vent their anger on. Is this a homosexual thing or a homosapien thing?
Sunday, January 22, 2006
"Looking for Comedy in the Muslim World". By far, one of the WORST scripted shams I have seen in recent time. Leads me to think - what the hell were they thinking? Especially Albert Brooks. The film should have been conclusively titled "The Futile Search for Comedy in the Muslim World", because evidently Albert was looking the wrong places. Except for a couple of dated jokes on Indian call centers, and a few pointless puns, the movie falls flat on its face. Sheetal Sheth delivers a convincing performance - decent concept, devastatingly executed, the film starts, proceeds and most of all, ends shabbily. Repetitively annoying dialogues and a tacky screenplay - the true comedy of this film is in the sheer misguided execution of this project. Clearly, these people have NOT done their research and continue to portray a bare, stark view of India - to further feed and engorge the pre-existing misconceptions of the Western world. One word - Pathetic!! Ughh!
Friday, January 20, 2006

Big B on Broadway
Although evolution has preached ‘survival of the fittest’, in today’s celebrity world, it is clearly ‘survival of the biggest’. And although that does mysteriously sound like the opening to a Viagra commercial, I’m merely talking about the biggest and most spectacular Bollywood super-icon, the Big B himself and his recent, brief press appearance in the Big Apple.
More than the man, it’s the aura today. This is the most apt way in which one can sum up the legendary Amitabh Bachchan. In town for the
Moreover, as hordes of commuters drive from the suburbs of
Talking of big, the man with the largest Gross National Ego, King Khan pulled up to the Nirvana restaurant in Los Angeles’ cream district of Beverly Hills, a few weeks ago, in a sleek white Bentley Arnage, to hobnob with the who’s-who of Hollywood. He was in town to promote (read:lobby) for
And if that wasn’t enough to stir up
With over 1000 films a year, and slated to be the largest film production industry in the world, does
And hey, a majority of the credit for this return, goes to my buddy, Tamanna, whom I had the venerable honor of chatting with till 5:30 AM last night, for topics as varied as facial resemblances to celebrities, to sex on the Burj Helipad. Quite a night, Tamanna, thanks a million - was awesome to get to know you too .... (if you've read her blog entry of today - isn't that shweet, like two happy cats scratching each other's backs - heck, at least I don't give her a $300 bill ;-) jk!). Love n peace!
Confessions of an American Desi
I curl my Rs and roll my Ls, depending on whom I wish to impress or flatter. My accent changes as I switch calls between my paternal grandparents and my boss. Ever since I convinced immigration authorities that I don’t intend to reside here, and walked through their portals for the first time on my seemingly-solitary quest for the cherished GC, I choose what to like and dislike about my home country, as I am not obliged to deal with it anymore. To a curious-about-our-heritage American, I will be a thoroughbred son of the soil, dripping with awe-inspiring facts about our locales, our spices, our culture and our monuments. But beyond that, I will practice selective affection for my homeland. I watch ESPN to stock up on conversation pieces, and follow American politics to stay informed, with zeal far greater than my basic perception of homeland affairs. I roll my eyes when singled out at security checkpoints, probably because I wasn’t the one running away from mammoth grey clouds of smoke and dust. I come up with clever Hindi sobriquets for African-Americans and Chinese people in order to poke fun at them, oblivious to the fact that they’re probably doing the same thing.
I am the American Desi of today. Not as confused as the ones born here, as I choose to switch between like and dislike of my culture by will, not by birth. But I still shop at Indian stores, attend all-nighter parties for India-Pakistan matches and scroll through credits of mainstream American flicks to look for a Chandrashekhar or a Vaidyanathan, and smile with a glimmer of sporadic pride in my ‘people’, before I hail a cab home for my American neighbour, Greg and me. And as the heavily-bearded turbaned cabdriver asks, “Where to?”, I give him my address. I ignored his initial greetings, because I didn’t want to engage in another “Where-are-you-from-Do-you-miss-home” taxicab conversation. As far as I’m concerned, I am just another passenger. I brush off the initial pangs of guilt probably inspired by the hours and hours of moral talk that my mom dedicated to me. Am I wrong to switch identities so steadfastly? Everyone does it here. Most of the white people I know want to be black most of the time. It’s a global syndrome.
I cringe as I hear the desi cabdriver belch loudly, as if I am embarrassed on his behalf. A part of me feels like apologizing to Greg, but I choose to segregate – distance myself from the cabdriver – in every way possible. At that point, the divider between our seats is a border between my wavering ex-culture and my present, and potentially future fancy. As the cabdriver laughs loudly on his headset and curses ‘affectionately’ in one of the few languages in which that is possible, Punjabi, supposedly to another taxi cabdriver, my discomfiture grows to the point that I curtly request him to “keep it down”. The cabbie turns off his phone and apologizes profusely to me in Hindi, while I refuse to reciprocate. I ignore him and smile uncomfortably at Greg, continuing our conversation about the Republican Party as if nothing happened, hoping that he hasn’t created a mental association between the ill-mannered cabbie and me, because of our so-called “common heritage”. To me, people like the cabdriver are the reason people still think of
As we disembark the cab, I pay the cabbie and realize that I am a whole two dollars short. Greg is busy flirting with his girlfriend on the phone, and I find it petty and demeaning to be asking him for a petty sum. I look at the cabdriver, who seems to understand my predicament simply by my facial expressions. He smiles and in unfussy Hindi, responds “Chalega”, a word that has no clear translation in the English language. A word that tells me that we aren’t different at all. A word that creates an instant albeit fleeting unique bond between our worlds. He greets me with a smile and drives away without waiting for me to thank him. I find it strange that someone whom I have never known - someone whom I would have probably walked right past on the streets of my hometown – would do me a simple yet meaningful favor purely because we are two of over a billion people, who share a historic, meaningful past. I feel that the very identity that I have been escaping from has boomeranged at me in a karmic sort of way, to help me see things in a new light. And although I am steps away from my