Music Review: Jodhaa AkbarThe unique sound that results from the fusion of two distinct talents is a thing of wonder. R. D. Burman and Gulzar. Yash Chopra and Shiv-Hari. A R Rahman and Mani Ratnam. There's an aura that their music has, which emanates from their individual creativities, and the union of their mindsets and styles.
Rahman and Gowariker are two such minds. There's overstated grandeur and an element of "larger-than-life"-ness associated with a production like Jodhaa Akbar, which rests like an inverted pyramid on the needlepoint of simplicity. The music conveys this vision, grandly.
Azeem-O-Shaan Shahenshah has this trademark ARR percussive energy that kicks off the soundtrack. Listen to this on the highest subwoofer setting that your system can muster, and you can generate a 6.1 on the Richter. This marching song is both regal and powerful - a great start!
Jashn-E-Bahaaraa, the next track, is my personal favorite on the album. Sung brilliantly by Javed Ali, a Sonu soundalike with enough vocal variation to keep him distinct from his idol (unlike Rahul Vaidya who has conveniently disappeared ... or been made to? .. hmm).
This song is classic Rahman - seamless transition between chorus and verse, supported with beautiful interludes and a killer bass track. The quintessential, refreshing romantic track in his album that relaxes you the minute it starts. Like
Ennavale in Kaadhalan,
Ajooba in Jeans,
Jaan-E-Bahara in Dil Ne Jise Apna Kaha,
Roja Roja from Kadhalar Dinam,
Khamosh Raat in Thakshak. The list is endless. Its funny that the opening notes are inspired by
Imli Ka Boota from Saudagar, and the opening rhythms of the song sound curiously like
Aisa Lagta Hai from Refugee. But Rahman adds so many of his own musical touches to a song/soundtrack, that the source of inspiration can, in no way, be attributed to its appeal.
The bassline, clap loop and tabla in
Khwaja Mere Khwaja is beautiful. This song brings back memories of
Piya Haji Ali from Fiza. This hopeful, prayer-like song has Rahman doing a very interesting opening qawwali-style khayaal, very unlike his usual vocal style. The progressive build of this song is very well done.
Inn Lamhon Ke Daaman Mein is a pretty song, but somehow not captivating at first listen. Kinda like
O Ri Chori from Lagaan. Really sweet song, but a little plain. Probably a situational thing in the movie. The best part of the song for me, is Sonu's solo vocal interlude around 4:55. This song also hallmarks a popular technique Rahman uses. He has a sweet and melodic romantic ballad in a major chord, interrupted by choral, louder segments with higher energy, usually a minor chord, and he capitalizes on the sharp-edged transition between the two (Like
Ishq Bina from Taal and more aptly,
Bharat Humko from Roja).
Mann Mohanaa contains some of the most brilliant legato and staccato classical string ensemble sequences, coupled with great singing by Bela Shende (remember her from the classical track,
Khaali Hai Tere Bin in Paheli, with Hariharan).
Mann Mohanaa is the
O Paalanhare of Jodhaa Akbar - albeit, much more evolved.
The kicker for me on this album is the flute version of
Jashn-E-Bahaara. On a rainy day, I could listen to this on endless repeat, with an infinite supply of chai and namkeen.
The opening brass ensemble that one can hear in the teasers, which opens the album as well, is very reminiscent of Lagaan. And so is the overall sound of the album. With
Jodhaa Akbar, their third album as a team, all of which were musically outstanding, it is evident that Rahman and Gowariker are out to create a musical character for their productions together.
In other news, doesn't Aishwarya look like a slice of heaven in the trailers of this movie?
