Its different. The sound is very subdued, especially Rameez Mukhtar's vocals. They are much softer than his predecessor's vocals, with light classical undertones (much lesser movements and experience than Shafquat). The instrument sections overpower and at times, even drown the vocals out, purposefully - something that wouldn't have happened in Shafquat's era, because he WAS the centerpiece. However, there's a definite, audible drop in quality in terms of arrangements, versus their earlier albums. Having said that, there are a few true gems on Journey. Neend Na Aaye is one of them.
When you hear an album like Journey, it makes you feel that the group had a handful of surefire trump cards, which they played in the first round. The follow-up album is supposed to be a testament as to what you're made of, and in terms of that, Journey is quite a dead-end. And this is NOT because Fuzon lacks Shafquat, its because Journey lacks commitment. This is exactly how I feel about Jal, as well - especially when listening to their new song (Sajni) with that creepy Beauty and the Beast-type video. Seems like both Shafquat and Atif crossed over to B'wood and/or went solo, while the going was good.
But unlike Jal who are queued for a quick fade-out, Fuzon does have enough firepower to sustain themselves, sans Shafquat. However they plan to do it, they better figure it out quickly, else they'll just be a bunch of mid-life crisis-jaded Paki rockers reminiscing about the good ol' days, while Shaf mitwa's his way across the IIFAs.It requires a redefinition in their sound, which they have achieved. And it requires a serious reaffirmation in their composition and arrangement patterns, which they are yet to achieve. But when one hears songs like "Tu Kahan", one knows that they, sure as hell, still have the soul.
In other news, doesn't something about that album cover remind you of Savage Garden? Or is it just me. Also, Amy Winehouse, her hornet's nest updo and her vocals are overrated. High-five anyone? High-five?
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